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Augmented Embodied Performance
Mälardalen University, School of Innovation, Design and Engineering, Embedded Systems.ORCID iD: 0000-0003-3163-6039
Mälardalen University, School of Health, Care and Social Welfare, Health and Welfare.ORCID iD: 0000-0002-8314-387X
2017 (English)In: New Interfaces for Musical Expression NIME, Copenhagen, Denmark, 2017Conference paper, Published paper (Refereed)
Abstract [en]

We explore the phenomenology of embodiment based on research through design and reflection on the design of artefacts for augmenting embodied performance. We present three designs for highly trained musicians; the designs rely on the musicians’ mastery acquired from years of practice. Through the knowledge of the living body their instruments —saxophone, cello, and flute — are extensions of themselves; thus, we can explore technology with rich nuances and precision in corporeal schemas. With the help of Merleau-Ponty’s phenomenology of embodiment we present three hypotheses for augmented embodied performance: the extended artistic room, the interactively enacted teacher, and the humanisation of technology.

Place, publisher, year, edition, pages
Copenhagen, Denmark, 2017.
Keyword [en]
Embodiment, Performance, Music, Bio-signals, Interaction Design
National Category
Interaction Technologies
Identifiers
URN: urn:nbn:se:mdh:diva-37048OAI: oai:DiVA.org:mdh-37048DiVA: diva2:1158468
Conference
New Interfaces for Musical Expression NIME, 15 May 2017, Copenhagen, Denmark
Available from: 2017-11-20 Created: 2017-11-20 Last updated: 2017-11-20Bibliographically approved

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Authority records BETA

Lindell, RikardKumlin, Tomas

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CiteExportLink to record
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  • apa
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