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Biosignal Augmented Embodied Performance
Mälardalen University, School of Innovation, Design and Engineering, Embedded Systems.ORCID iD: 0000-0003-3163-6039
Mälardalen University, School of Health, Care and Social Welfare.ORCID iD: 0000-0002-8314-387X
2017 (English)In: Proceedings of AudioMostly AM, 2017Conference paper, Published paper (Refereed)
Abstract [en]

We explore the phenomenology of embodiment based on research through design and reflection on the design of artefacts for augmenting embodied performance. We present three designs for musicians and a dancer; the designs rely on the artists’ mastery acquired from years of practice. Through the knowledge of the living body, their instruments —cello, flute and dance —are extensions of themselves; thus, we can explore technology with rich nuances and precision in corporeal schemas. With the help of Merleau-Ponty’s phenomenology of embodiment we present two perspectives for augmented embodied performance: the interactively enacted teacher, and the humanisation of technology.

Place, publisher, year, edition, pages
2017.
Keyword [en]
Embodiment, Performance, Biosignals, Music, Dance, Interaction Design
National Category
Design Interaction Technologies
Identifiers
URN: urn:nbn:se:mdh:diva-37049DOI: 10.1145/3123514.3123547ISBN: 978-1-4503-5373-1 (print)OAI: oai:DiVA.org:mdh-37049DiVA: diva2:1158451
Conference
Proceedings of AM ’17, London, United Kingdom, August 23–26, 2017
Available from: 2017-11-20 Created: 2017-11-20 Last updated: 2017-11-20Bibliographically approved

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Lindell, RikardKumlin, Tomas

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