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Augmented Embodied Performance
Mälardalens högskola, Akademin för innovation, design och teknik, Inbyggda system.ORCID-id: 0000-0003-3163-6039
Mälardalens högskola, Akademin för hälsa, vård och välfärd, Hälsa och välfärd.ORCID-id: 0000-0002-8314-387X
2017 (engelsk)Inngår i: New Interfaces for Musical Expression NIME, Copenhagen, Denmark, 2017Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

We explore the phenomenology of embodiment based on research through design and reflection on the design of artefacts for augmenting embodied performance. We present three designs for highly trained musicians; the designs rely on the musicians’ mastery acquired from years of practice. Through the knowledge of the living body their instruments —saxophone, cello, and flute — are extensions of themselves; thus, we can explore technology with rich nuances and precision in corporeal schemas. With the help of Merleau-Ponty’s phenomenology of embodiment we present three hypotheses for augmented embodied performance: the extended artistic room, the interactively enacted teacher, and the humanisation of technology.

sted, utgiver, år, opplag, sider
Copenhagen, Denmark, 2017.
Emneord [en]
Embodiment, Performance, Music, Bio-signals, Interaction Design
HSV kategori
Identifikatorer
URN: urn:nbn:se:mdh:diva-37048OAI: oai:DiVA.org:mdh-37048DiVA, id: diva2:1158468
Konferanse
New Interfaces for Musical Expression NIME, 15 May 2017, Copenhagen, Denmark
Tilgjengelig fra: 2017-11-20 Laget: 2017-11-20 Sist oppdatert: 2017-11-20bibliografisk kontrollert

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Lindell, RikardKumlin, Tomas

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